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Some people are mistaken about mistakes

Dan Dennett writes, in his new book, Intuition Pumps, which is extracted in The Observer:

“I am amazed at how many really smart people don’t understand that you can make big mistakes in public and emerge none the worse for it. I know distinguished researchers who will go to preposterous lengths to avoid having to acknowledge that they were wrong about something. Actually, people love it when somebody admits to making a mistake. All kinds of people love pointing out mistakes.

“Generous-spirited people appreciate your giving them the opportunity to help, and acknowledging it when they succeed in helping you; mean-spirited people enjoy showing you up. Let them! Either way we all win.”

BONUS, from the same source, and maybe —or maybe not — feeling ironic, given where you are reading this:

“DON’T WASTE YOUR TIME ON RUBBISH”
Sturgeon‘s law is usually expressed thus: 90% of everything is crap. So 90% of experiments in molecular biology, 90% of poetry, 90% of philosophy books, 90% of peer-reviewed articles in mathematics – and so forth – is crap. Is that true? Well, maybe it’s an exaggeration, but let’s agree that there is a lot of mediocre work done in every field. (Some curmudgeons say it’s more like 99%, but let’s not get into that game.)

“A good moral to draw from this observation is that when you want to criticise a field, a genre, a discipline, an art form …don’t waste your time and ours hooting at the crap! Go after the good stuff or leave it alone. This advice is often ignored by ideologues intent on destroying the reputation of analytic philosophy, sociology, cultural anthropology, macroeconomics, plastic surgery, improvisational theatre, television sitcoms, philosophical theology, massage therapy, you name it.

“Let’s stipulate at the outset that there is a great deal of deplorable, second-rate stuff out there, of all sorts. Now, in order not to waste your time and try our patience, make sure you concentrate on the best stuff you can find, the flagship examples extolled by the leaders of the field, the prize-winning entries, not the dregs. Notice that this is closely related to Rapoport‘s rules: unless you are a comedian whose main purpose is to make people laugh at ludicrous buffoonery, spare us the caricature.”

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